ਸਾਰਗ ਮਹਲਾ ੫ ॥

saarag mahalaa 5 |

Saarang, Fifth Mehl:

ਅਬ ਮੋਰੋ ਨਾਚਨੋ ਰਹੋ ॥

ab moro naachano raho |

Now, my dancing is over.

ਲਾਲੁ ਰਗੀਲਾ ਸਹਜੇ ਪਾਇਓ ਸਤਿਗੁਰ ਬਚਨਿ ਲਹੋ ॥੧॥ ਰਹਾਉ ॥

laal rageelaa sahaje paaeo satigur bachan laho |1| rahaau |

I have intuitively obtained my Darling Beloved. Through the Word of the True Guru's Teachings, I found Him. ||1||Pause||

ਕੁਆਰ ਕੰਨਿਆ ਜੈਸੇ ਸੰਗਿ ਸਹੇਰੀ ਪ੍ਰਿਅ ਬਚਨ ਉਪਹਾਸ ਕਹੋ ॥

kuaar kaniaa jaise sang saheree pria bachan upahaas kaho |

The virgin speaks with her friends about her husband and they laugh together;

ਜਉ ਸੁਰਿਜਨੁ ਗ੍ਰਿਹ ਭੀਤਰਿ ਆਇਓ ਤਬ ਮੁਖੁ ਕਾਜਿ ਲਜੋ ॥੧॥

jau surijan grih bheetar aaeo tab mukh kaaj lajo |1|

but when he comes home, she becomes shy, and modestly covers her face. ||1||

ਜਿਉ ਕਨਿਕੋ ਕੋਠਾਰੀ ਚੜਿਓ ਕਬਰੋ ਹੋਤ ਫਿਰੋ ॥

jiau kaniko kotthaaree charrio kabaro hot firo |

When gold is melted in the crucible, it flows freely everywhere.

ਜਬ ਤੇ ਸੁਧ ਭਏ ਹੈ ਬਾਰਹਿ ਤਬ ਤੇ ਥਾਨ ਥਿਰੋ ॥੨॥

jab te sudh bhe hai baareh tab te thaan thiro |2|

But when it is made into pure solid bars of gold, then it remains stationary. ||2||

ਜਉ ਦਿਨੁ ਰੈਨਿ ਤਊ ਲਉ ਬਜਿਓ ਮੂਰਤ ਘਰੀ ਪਲੋ ॥

jau din rain taoo lau bajio moorat gharee palo |

As long as the days and the nights of one's life last, the clock strikes the hours, minutes and seconds.

ਬਜਾਵਨਹਾਰੋ ਊਠਿ ਸਿਧਾਰਿਓ ਤਬ ਫਿਰਿ ਬਾਜੁ ਨ ਭਇਓ ॥੩॥

bajaavanahaaro aootth sidhaario tab fir baaj na bheo |3|

But when the gong player gets up and leaves, the gong is not sounded again. ||3||

ਜੈਸੇ ਕੁੰਭ ਉਦਕ ਪੂਰਿ ਆਨਿਓ ਤਬ ਓੁਹੁ ਭਿੰਨ ਦ੍ਰਿਸਟੋ ॥

jaise kunbh udak poor aanio tab ouhu bhin drisatto |

When the pitcher is filled with water, the water contained within it seems distinct.

ਕਹੁ ਨਾਨਕ ਕੁੰਭੁ ਜਲੈ ਮਹਿ ਡਾਰਿਓ ਅੰਭੈ ਅੰਭ ਮਿਲੋ ॥੪॥੩॥

kahu naanak kunbh jalai meh ddaario anbhai anbh milo |4|3|

Says Nanak, when the pitcher is emptied out, the water mingles again with water. ||4||3||